The end of the world isn’t picky. But what if you survive? Just like Martina and her little brother who are saved from the flaming inferno by a young stranger. They meet other survivors, an old man and his granddaughter, with whom they flee to the next valley. Does life end here or does it begin anew? The world beyond the mountains is dead, burnt, buried in toxic dust. What is left after the disaster is barely enough for survival, just enough for life in a cave. After they get settled in they start waiting – but for what? There is no saving ark in sight. The old man surly doesn’t believe in the future. A struggle begins – for survival, for hope, for remaining human. Hannelore Valencak creates gloomy scenarios to illustrate the world after the end of the world: even more radical than Marlen Haushofer’s “The Wall” and more relentless than Cormac McCarthy’s “The Road”.

The causes were catastrophic: the boarding school was a prison, the town a terminal disease. There was war and there was his grandfather, who only talked to him about the masters, Mozart, Rembrandt and Beethoven. The causes were destructive, and they left indelible traces in Thomas Bernhard’s life and work.

One morning, the pupil decides to withdraw from his life. In the cellar, on the fringes of the detested town, in the ghetto of the have-nots and criminals, Thomas Bernhard finds himself an apprenticeship in a grocery store. There he gets to know those who have been cast aside by society, and he gets to understand himself.