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Coverabbildung von "Wer war Edgar Allan?"

Peter Rosei - Who was Edgar Allan?

Residenz classic

First published in 1977, “Wer war Edgar Allan?” marked Peter Rosei’s literary breakthrough. An enigmatic game of deception, it is also a rapturous homage to a deeply autumnal Venice and to Poe, the master of cryptic storytelling. Sympathetically adapted into film by Michael Haneke in 1984, the novel combines hallucinatory delirium with precise societal diagnosis. A drug-addicted student roams through Venice, a shady Contessa falls from the roof garden of her palazzo, a drug syndicate quietly rules behind the scenes, and a mysterious gentleman by the name of Edgar Allan seems to be pulling many dark strings. This new edition features Walter Pichler’s cult cover and makes the post-war classic available to a wide readership once more.

Book details

144 pages
format:125 x 205
ISBN: 9783701717422
Release date: 16.03.2021

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  • World rights available
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Authors
Peter Rosei

born in Vienna in 1946, Rosei studied at Vienna University and received a doctorate in law in 1968. He has been a freelance writer since 1972, based in Vienna and travelling extensively. His numerous awards include the Franz Kafka Prize 1993, the Anton Wildgans Prize 1999 and the Austrian Cross of Honour for Science and Art 2007. He was awarded the Decoration of Honour for Services to the Republic of Austria in 2016. Most recently published: Die "Wiener Dateien" (boxed set of 5 books, 2016), "Karst" (2018), "Die große Straße" (2019).

Press

In Wer war Edgar Allan? (1977) entführt der notorisch Reisefreudige in ein Venedig, das der Leser, zunehmend kopflos werdend, nur wie durch rußgeschwärztes Glas betrachten kann. (…)
Während der halluzinierende Held, ein Drogenesser vor dem Herrn, durch "La Serenissima" torkelt, ereignen sich die mysteriösesten Todesfälle. Contessen stürzen von Hausdächern; die Sätze des Romans aber zerspringen in abertausend Scherben.
[Quelle: Ronald Pohl, DER STANDARD]

Was diesem traumartigen Roman zu seiner Verve verhilft, ist seine Dynamik, seine Gedanken- und Sprachbewegung, haltlos und völlig entwurzelt…
[Quelle: Björn Hayer, WIENER ZEITUNG]

…130 Seiten genügen ihm, um eine phantasmagorische Atmosphäre zu erzeugen, die einerseits die morbide Seite von Venedig beschwört, andererseits eine Hommage an Edgar Allan Poe darstellt.
[Quelle: Oliver Herzig, XING]

Die beiden Herren wandern nachts oft durch Venedig und so bekommt man als Leser einen schönen Einblick in die Stadt. Vor allem in einer Zeit, in der es keine Touristen gibt. Im Winter, wo es sogar in Venedig schneit.
[Quelle: Johann Günther, AUSTRIA-FORUM]

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Coverabbildung von 'Karst'

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Coverabbildung von 'The Globalists'

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Coverabbildung von 'Madame Stern'

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Coverabbildung von 'Money!'

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Coverabbildung von 'A Shooting Spree'

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Coverabbildung von 'A Shooting Spree'

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Actually everything starts quite harmless. Paul Wukitsch, grown up in poor circumstances, is outstandingly intelligent. His mother makes it possible for him to study theology. Nevertheless, Paul is sceptical about church and his scepticism leads to several infringements and finally to his exclusion from the seminary. Alexander Altmann’s career is varied, too. He had married into money, but after the suicide of his wife and the consequential scandal, the tide turns … Their paths of life could not differ more, but as their paths meet, the story takes a sudden course. Peter Rosei draws the bow from the beginning of the 20th to the 21st century. The kaleidoscope of his characters creates a serried tableau full of tension. He describes the impact of a superior system on individuals in his laconic style which still is full of musicality. And he tells from the slow maturation catastrophes.

Coverabbildung von 'Money!'

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Life is merely a chance and Georg Asamer has grabbed it: He made it as the boss of a highly successful advertisement agency. After he appoints Andy Sykora as his successor, he recognizes that he has become old – business strategies have changed. Hans Falenbruck, a random acquaintance of Sykora and heir to a large pharmaceutical enterprise, has kept up with the times: He travels to Vienna in order to conquer the Eastern European market. Then there is Irma Wonisch, Falenbruck’s old flame from a good family, who gets together with Tom Loschek. The aspiring broker sparks a sense of adventure in all of them with his appealing investment ideas… Peter Rosei leads us into the heart of a world where – at times by chance, yet always inevitably –destructive wishes and high hopes collide. “Geld!” is a laconically fascinating book, a sharp witted puzzle with comedic undertones.

Coverabbildung von 'Madame Stern'

Peter Rosei - Madame Stern

Gisela Stern has made it. Coming from a modest background, she managed to marry into a wealthy family, made a career for herself working at a bank and became part of the social elite. And yet, something is missing. She feels a sense of unfulfilled desire, of not quite belonging. When a good-looking, ambitious man enters her life, the carousel of power starts to spin, spinning out of control as politics and desire become more and more entangled… Peter Rosei’s novel – true to his typically laconic style – is the masterful staging of a woman’s rise and fall in the complicated web of a highly corrupt society. A sharp-witted and multifaceted novel.

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Coverabbildung von 'Metropolis Vienna'

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Coverabbildung von 'Karst'

Peter Rosei - Karst

Jana, the ambitious daughter of a tired-out hotel owner in the Slovakian Tatras, only has her beauty to help her realise her dreams of a better and more exciting life in the wealthy West. She encounters the profiteer Gstettner, who conducts his murky dealings from Vienna. No matter whether it’s fake designer goods or desperate refugees, Gstettner will trade with anything. Tone Kral, a farmer’s son from the Slovenian Karst region who ekes out a living as a waiter and gigolo, and the aged Viennese theatre critic Kalman complete the quartet. Eager for life, the four characters try to make their way in the grey zone between the old and new political order.

Coverabbildung von 'Die große Straße'

Peter Rosei - The great Road

Travel Chronicles

Peter Rosei has always been on the move, led by an unfailing curiosity for landscapes and cities, people and their stories. 'The Great Road' for the first time brings together the chronicles of his travels across five decades and three continents. We get to know Peter Rosei as an acutely observant and knowledgeable traveller, who is open to impressions and images, scents and sounds. He steadily approaches the unknown and brings it close, without diminishing its fascination. This wonderfully labyrinthine book takes us from Peking to Los Alamos, from Seoul to Moscow, from Paris to Texas via Bratislava and Istanbul, brimming with the author's appreciation for the vibrancy of the world and the diversity of human life and survival.

Coverabbildung von 'Das Märchen vom Glück'

Peter Rosei - The happiness myth

Lena from the Styrian village, Andràs from the Hungarian tower block and Eva Bartuska from the Czech town of Brno have all come to Vienna seeking happiness and fulfilment. They drift through the city propelled by the promise of social and economic betterment and the dream of true love. But what is this prized happiness? Sometimes it's a branch manager position, sometimes a wild night out, and often a flimsy illusion that shatters on the rocks of everyday hostility. Yet in this novel on the myth of happiness, Rosei strikes an uncharacteristically conciliatory tone. “And so, those who come eye to eye with the degradations of life and abandon all hope, ultimately still have a right to the happiness they long for.”