Austria's most famous female author of the 19th century was underestimated as a "poet of kindness & grace", yet she was so much more: Poetic realist, playwright, aphorist, proponent of women's rights, fighter of anti-Semitism, officer's wife, trained watchmaker, animal friend, and avid horseback rider. In the first German biography since 1920, Daniela Strigl traces Ebner-Eschenbachs life from her birth in Zdislavice castle to her late fame as an author. The multi-faceted author was always torn between her aristocratic background and her socialist opinions, between ethics and irony, ambition and humility, social obligations and her passion for writing. Maria von Ebner-Eschenbach unwaveringly held on to her goals, despite resistance from her family and bad reviews from theater critics. "If there is a belief that can move mountains, then it is the belief in one's own strength."

Die „Dorf- und Schloßgeschichten“ wie „Krambambuli“ und „Er laßt die Hand küssen“ zählen zu den bekanntesten Werken Marie von Ebner-Eschenbachs. Das Spektrum der genau beobachtenden, sozialkritischen Autorin reichte von der Künstlernovelle bis zur Adelssatire. Für viele war Ebner-Eschenbach in ihren Erzählungen, die Betty Paoli als „meisterlich erzählt, natürlich, anmutig, mit heiterem Witz“ beschrieb, auf dem Höhepunkt ihres Könnens. Zum Abschluss der vierbändigen Leseausgabe versammelt der Band ihre berühmtesten Erzählungen sowie wenig bekannte und verblüffend moderne Fundstücke und ein „Best of“ der Aphorismen.

Das vielfältige Werk der Marie von Ebner-Eschenbach mit seiner feinen Psychologie und seiner klar formulierten Gesellschaftskritik verdient eine aktuelle Lesart. Gerade die Geschichte von Pavel, dem „Gemeindekind“, der von der Gemeinschaft ausgestoßen wird, dem aber gegen alle Widerstände ein sozialer Aufstieg gelingt, ist von bestürzender Modernität. Auch das unkonventionelle Debüt der Autorin – die 1858 anonym erschienene Briefnovelle „Aus Franzensbad“ – demontiert erfrischend scharf und voller Sprachwitz den damaligen Zeitgeist. Beide Werke zeigen ihren wachen Blick für die brennenden Fragen der Zeit und ihre kritische Haltung zu den Konventionen ihres eigenen Standes.

The world of Fritz von Herzmanovsky-Orlando is a cabinet of curiosities, a scrapbook of the strange, a sheet of pictures of the bizarre. It is populated by figures rather than by human beings – by exemplars, forms and spawns. What occurs to him is not necessarily unusual. What he describes is caricature. In fine, his world resembles a strange zoo: Come in, have a look! You will be surprised if you suddenly face yourself. Volume 2 of the “concentrated edition” contains a selection of narratives and short pieces of prose. Many of them belong to Herzmanovsky’s most popular works and have long been classics: “The commandant of Kalymnos”, “Apoll of Nothing”, “Uncle Toni’s muffed Christmas Eve”, “The Sausage Machine” and many more. Here you have the world of Herzmanovsky-Orlando on a small scale, a bird cage: Look forward to Father Kniakal, Cavaliere Huscher and Chinesius von Schluck!

A dream path behind a cabinet door leads the unmarried orphan Cyriak de Pizzicolli, who has never traveled beyond Graz and its vicinity, to “Tarockei”, the “only neighboring country to the world”. The fantastical land inhabited by magical beings is an Austrian-Byzantine utopia, where the constitution is based on the card game tarot. What adventures he experiences after encountering the breathtakingly beautiful Cyparis and why he ends up wearing stag antlers on his head can be told by none less than Fritz Herzmanovsky-Orlando. “Masquerade of the Genii” is not only his main work, but also one of the main works of 20th century Austrian literature – the fantastical sister of Robert Musil’s “Man Without Qualities”, like Alice in Wonderland stumbling into Kafka’s Castle, a wonderful nightmare bubbling with ideas and humor!

It all begins quite harmless: True Kakanian patriot Jaromir von Eynhuf decides to bestow the gift of his milk tooth collection on his beloved monarch on the occasion of the latter’s royal jubilee. As fate will have it, the collection is still incomplete. On his quest for the last milk tooth, the loyal official of the royal court’s drum depot bravely faces the trials and tribulations of Kakania. With his debut novel, Fritz Herzmanovsky-Orlando created an unforgettable literary monument to Imperial Austria and the Habsburg monarchy.