Coverabbildung von "Hedwig heißt man doch nicht mehr"


A life story

Best-selling author Erika Pluhar’s new novel centres on a woman at a turning point in her life.

Fifty-one-year-old Hedwig Pflüger returns to the Vienna apartment hat she has inherited from her grandmother. She has kept away from the city and the old woman she grew up with for several decades. Now she faces a turning point in her life. The Viennese apartment is full of memories and in the stillness of the old building Hedwig starts to write about the past. The resulting account tells of a woman who struggled to meet the standardised requirements of her time; a woman who despite all her attempts kept sliding back into isolation and loneliness. But now, as she looks back and puts pen to paper, Hedwig learns to accept the present and open herself up to new challenges.

Book details

320 pages
format:125 x 205
ISBN: 9783701717491
Release date: 24.08.2021

License rights

  • World rights available
License requests

Product details

Erika Pluhar

studied acting at Max-Reinhardt Seminar and was a regular cast member at Vienna's Burgtheater until 1999. She writes and sings, acts in movies, and has published numerous books. In 2009 Erika Pluhar received the "Ehrenpreis des österreichischen Buchhandels für Toleranz in Denken und Handeln".


Erika Pluhar schreibt in „Hedwig heißt man doch nicht mehr“ auch an gegen Rassismus und Intoleranz.
[Quelle: ORF]

Erika Pluhar ist in Österreich eine moralische und intellektuelle Instanz.
[Quelle: NDR]

Ein neuer Roman von Erika Pluhar, das ist so ein Gefühl – man will jemanden umarmen; und mittlerweile ist es sogar wie Nachhause kommen.
[Quelle: Peter Pisa, KURIER]

Im Buch geht es um die ganz großen Themen: Es geht um das Leben, um die Liebe, um den Tod – den Rückblick auf das Leben.
[Quelle: Achim Bogdahn, BR EINS ZU EINS]

Erika Pluhar gelingt es mit diesem Roman in emotionaler Tiefe Gedanken über das Leben zu Papier zu bringen. Vergangenheit, Gegenwart und Zukunft werden hier gekonnt in einen Kontext gesetzt. Sensibel deckt sie Sehnsüchte und Ängste einer Frau auf, die für ihre Zeit ein wechselvolles Leben hatte.
[Quelle: Michael Lausberg, SCHARF LINKS]

Erika Pluhar über eine 51-Jährige, die an einem Wendepunkt steht.
[Quelle: TVMEDIA]

Erika Pluhar erzählt aus unterschiedlichen Perspektiven vom Erwachsenwerden, von Liebe, von Fürsorge und Abschieden.
[Quelle: Christina Repolust, APROPOS]

Pluhar schreibt sinnlich, präzise und versteht es, einen mitzunehmen.
[Quelle: HÖRZU]

"Eine Lebensgeschichte" heißt der wie Pluhars bisherige Bücher von einem sanft melancholischen Grundton getragene Roman im Untertitel, und es ist Hedwigs eigene Geschichte, die sie - in langen, kursiv gesetzten Textpassagen - ihrer Großmutter erzählt.

Es wird zum Bericht vom Leben einer Frau, der nicht gelingen wollte, den genormten Forderungen ihrer Zeit zu genügen, die nach allem vergeblichen Bemühen immer wieder in Isolation und Einsamkeit geriet.

„Hedwig heißt man doch nicht mehr“ macht Mut, die Wendepunkte im Leben willkommen zu heißen.
[Quelle: DONNA]

Wer Erika Pluhars Stimme kennt, hört sie erzählen. Wer sie nicht kennt, hat etwas versäumt.
[Quelle: Birgit Meinhard-Schiebel, PFLEGE UND KUNST]

Lesung und Gespräch
Buch Wien, ORF-Bühne, Messe Wien Halle D, Trabrennstraße 7, 1020 Wien
Schloss Puchberg, Puchberg 1, 4600 Wels
Literaturhaus Graz, Elisabethstrasse 30, 8010 Graz
Tischlerei Holzträume, Dirmhirngasse 106-108, 1230 Wien

More Books

Coverabbildung von 'Die Stimme erheben'

Erika Pluhar - Speaking out

On culture, politics and life

Her voice often attracts attention for its distinctiveness, so she might as well be heard in another sense – as the voice of an author and the 'person of public interest' that Erika Pluhar has become in the course of her life. Pluhar is a prolific writer of speeches, essays and articles, declaring her personal stance on political and socio-political issues, paying tribute to contemporaries or saying farewell to people she cherished. Her opinion is both sought and provided, and she speaks out when she feels it is necessary.

Coverabbildung von 'Pluhar'

Erika Pluhar - Pluhar

3 Bände im Schuber

In "Gegenüber" erzählt Erika Pluhar auf eine Weise vom Alter, die mit dem Unausweichlichen versöhnt, nicht zuletzt durch Humor. Mit "Die öffentliche Frau" hat Erika Pluhar eine andere Art der Autobiografie verfasst: zwischen Fiktion und Realität. Persönlich, berührend und fesselnd. In "Spätes Tagebuch" schreibt Erika Pluhar auf ebenso sensible wie schonungslose Weise über das Alter, Sehnsüchte und Ängste. Poetisch, lebensnah und intensiv.

Coverabbildung von 'Anna'

Erika Pluhar - Anna

A Childhood

A childhood spent in a state of exception – a touching story, unsparingly told. Anna is the daughter of an actress and a business-minded, power-hungry genius designer. Her parents are prominent figures in the public eye. The family suffers from the father’s excessive lifestyle, while the mother’s acting profession places increasing demands on her. Anna spends a lot of time in the care of frequently changing nannies, happy family occasions are rare. A joint holiday on Mykonos turns out to be a life-changing event for the young family, but puts even greater pressure on Anna’s childhood world. In an open and unsparing, yet sensitive manner, Erika Pluhar describes a childhood spent in a state of exception.

Coverabbildung von 'Next Door Neighbor'

Erika Pluhar - Next Door Neighbor

Henriette Lauber can look back at a life full of creativity and hard work. As a film cutter she experienced different worlds while working alongside her beloved husband. But all this was long ago and now she leads a withdrawn and almost isolated life in a small flat in the center of town. Her godson from Western Sahara, a politically active man who works in Algerian refugee camps, is the sole recipient of her love and attention. Then a dizzy spell in the hallway leads her to meet Linda, her young neighbor who begins to take care of Henriette and increasingly seeks her presence… Erika Pluhar tells the story of a friendship between to very different women, describing life patterns, the process of aging, and transience.

Coverabbildung von 'The Public Woman'

Erika Pluhar - The Public Woman

Eine Rückschau

A journalist asks a renowned artist to tell him her life story for a series in his newspaper. Hesitant at first, she slowly learns to trust the journalist during his daily visits and begins to talk: about her two marriages, her experiences at the theater, her journey to become a writer and about the people who had the greatest influence on her life. About the ups and downs of life as a woman in the public eye. Erika Pluhar has written a new kind of autobiography, settled somewhere between fact and fiction. A personal, touching and fascinating life story.

Coverabbildung von 'In time’s shadow'

Erika Pluhar - In time’s shadow

“Anna was born in Vienna on December 3, 1909, as the second eldest of the four daughters of glass painting master Franz Goetzer.” This is the laconic beginning of Erika Pluhar’s new novel. It tells the story of a highly talented woman who studies at the Viennese Academy of Fine Arts between the two World Wars and dreams of leading a self-determined life. However, her emigration to Brazil, her marriage and most of all, the early stages of Nazi fascism keep her from fulfilling her lifelong dream for many years. Erika Pluhar paints an empathetic and insightful picture of the hopes, desires and fears that Anna feels as a young woman coming of age in a century full of political extremes. Austria, Brazil, Germany and Poland are stations in a life that takes several unexpected turns.

Coverabbildung von 'Spätes Tagebuch'

Erika Pluhar - Late diary

Paulina Neblo can look back on an eventful life. As a choreographer, she founded a successful dance company, she had numerous affairs and a daughter, who she loves more than anything, and finally, as a mature woman, led a fulfilled marriage. But when she loses her husband in a fatal car accident and is hit by the next blow of fate – her daughter’s death – shortly after, Paulina retreats from an active life. At the age of 70, she decides to become a chronicler of her present, noting daily tidbits and facing the fact that old age holds no future. But her memories of the past cannot be cast aside and those surrounding Paulina do not accept her chosen isolation… Erika Pluhar has written a sensitive, yet brutally honest book about aging, desires and fears. Poetic, true-to-life and intense.

Coverabbildung von 'He'

Erika Pluhar - He

Emil Windhacker is a man in the prime of life. Career oriented, sporty, always in good company, he enjoys his life to the full. But a medical test result and a feeling of weakness and failure that is new to him get him thinking. Is this diagnosis his death sentence? When Emil meets actress Marie Liebner, events follow in rapid succession … Erika Pluhar describes three days in the life of a man. From Emil's subjective perspective, Pluhar draws an accurate picture of the male view on Life’s major themes of love, illness and death. Pluhar’s tale of eventual self-discovery is poetic, humorous, tightly narrated and deeply moving.

Coverabbildung von 'Two Some'

Erika Pluhar - Two Some

Geschichte und Betrachtungen zur Zweisamkeit

Two people make a pair, or a couple, and their relationships can be ruins, arenas, traps, abysses, fulfilment. Coincidence, desire, and life itself create amazing couples: A little girl and her imaginary father make a fantastic pair of liars; a young woman teams up with her unborn child against its father who is interested in his art only; a prisoner and his visitor share intense memories through the glass that separates them. These are some of the encounters Erika Pluhar describes in this book. All of them reveal the magic that arises in any relationship between two people, be they just acquaintances or lovers, a powerful and fascinating energy that inevitably shows its effect on everyone involved. The stories tell how people change whenever they cling to each other, find each other, lose themselves in each other – whenever they meet, touch or find the magic of being twosome.