“3 days of peace and music” it said on a red poster with a dove of peace painted on a stylized guitar. The newspaper advertisement that was placed all over the country at the same time was even more specific: “Just walk around for three days, without seeing skyscrapers or trafficlights. Let your kite fly, lie down in the sun. Prepare your meal on your own and breathe fresh air.” And the music: With Jimi Hendrix, Janis Joplin, The Who, Joan Baez and many others, this “Aquarian Exposition” was well-cast. And so it happened that on August 15th 1969 there were 400.000 to 500.000 people setting off to the Catskill Mountains. Traffic came to a standstill, the supply situation was awful, there was nothing, except for dope. New York’s Governor threatened to declare a state of emergency, the whole world was expecting a catastrophe. The hippie’s dream of love, peace, fraternity, ecstasy and transcendency came true for three whole days. There the counterculture had its last great celebration, in the face of Vietnam. Woodstock is the hippie movement’s legendary culmination and at the same time its geatest possible gathering.

The opening of the Psychedelic Shop on Haight & Ashbury on January 3, 1966 is not only the beginning of an era in pop culture. Ken Kasey and the Merry Pranksters are touring through the US with their public LSD Happenings. Even the Beatles are on acid and they're more famous than Jesus. And more controversial, too. In London's UFO club, Pink Floyd begin their ascent to the stars, just like Captain Kirk, Spock, and Bones. The cold war moves to outer space and students start moving to the streets. And a white whale is sighted in the Rhine… Frank Schäfer paints a colorful collage of the year when postwar blandness was replaced by psychedelic pink paisley.

Michael Köhlmeiers heißgeliebte Sammlung umfasst 37 Gitarren, jede hat ihre Geschichte und zu jeder hat er eine besondere Beziehung: Da sind die Kult-E-Gitarren wie die Fender Stratocaster von 1968, aber auch die beiden Gibsons, die amerikanische Martin-Tenorgitarre u.v.m. Doch Köhlmeier sammelt nicht nur, er spielt auch leidenschaftlich selbst: zu Hause täglich, und oft auf der Bühne in unterschiedlichen Formationen. In diesem sehr persönlichen Buch erzählt er von seinen Gitarren, von bewunderten Instrumentenbauern und vom Gefühl der Macht, das ihm die erste Begegnung mit Verstärker und E-Gitarre verliehen hat. Und er verrät uns, wie nach einer Verletzung an der Griffhand Django Reinhardt sein Vorbild wurde – der Meister, der „mit zwei verkrüppelten Fingern der Beste von allen“ war.