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Lukas Kummer

Lukas Kummer

was born in Innsbruck in 1988. He moved to Kassel in 2007 to study illustration and graphic arts. From 2009 to 2015 he worked as an illustrator and designer for the Mechanical Institute of Kassel University while continuing his studies. He graduated in 2014 and spent the following year with Hendrik Dorgathen as a master student. Lukas Kummer is a freelance illustrator and cartoonist. He has been published in various magazines and fanzines. His first graphic novel “Die Verwerfung” appeared in 2015, followed by “Die Gotteskrieger” in 2017.

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Books

Coverabbildung von "Der Keller"

Thomas Bernhard Lukas Kummer (Issustrated by) - The Cellar

A Withdrawal

In the second of his autobiographical works, Thomas Bernhard tells of the decision to remove himself from his life. Rather than continue attending school, he starts an apprenticeship in the cellar of a grocery store, on the outskirts of the detested town, in the ghetto of the have-nots and criminals. There he becomes acquainted with society's outcasts. He feels drawn to them and learns for the first time what it means to be accepted and to be 'useful'. Day-to-day life in the cellar turns out to be therapeutic. This place of limbo becomes a refuge, until a severe illness puts a sudden end to Bernhard's apprenticeship. In 'The Cellar', Lukas Kummer finds a relaxed pictorial language for the author's narrative tone. With precise strokes, Kummer accompanies Thomas Bernhard through what was probably the brightest period of his youth and throws a congenial light on the 'cellar'.

Coverabbildung von "The Cause"

Thomas Bernhard Lukas Kummer (Issustrated by) - The Cause

An Intimation

In the first of his autobiographical books, Thomas Bernhard carries out a root cause analysis that spares nothing and no one. The boarding school was a prison and the town of Salzburg a terminal disease, where destruction was omni-present. The only guiding light was his grandfather, who spoke to him about Mozart, Rembrandt and Beethoven. These “root causes”, which are more than just hinted at by Bernhard, leave indelible traces across all his work. With precise, sparing strokes and a poignant use of repetition and variation, Lukas Kummer has succeeded in creating a visual take on Thomas Bernhard’s recollections of the horrors of boarding school, war and National Socialism. This is a sympathetic graphic novel that approaches the great author with respect and originality.