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Coverabbildung von "Die Kälte"

Thomas Bernhard Lukas Kummer (Illustrated by) - The cold

An Isolation

The forth volume of Lukas Kummer‘s highly praised graphic novel series based on Thomas Bernhard's “Autobiographische Schriften”.

His admission into the lung sanatorium Grafenhof heralded the start of a new chapter in the young Thomas Bernhard’s tale of suffering. In the isolation of the sanatorium he was at the mercy of the doctors, the nursing staff, his fellow patients and above all, himself and his will. In this hopelessness he practised revolt. It is his self-affirmation as a writer, the friendship with a musician, and singing which are stirring his will to survive and give him strength. In the end, Thomas Bernhard escapes the isolation of the lung sanatorium which is seems in Lukas Kummer’s illustrations like the coldest circle of hell, and emerges as the person we know today: one of the greatest writers of the 20th century.

Book details

112 pages
format:170 x 240
ISBN: 9783701717736
Release date: 11.04.2023

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  • World rights available
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Authors
Thomas Bernhard

Thomas Bernhard was born on the 9th of February, 1931 in Heerlen, Netherlands, and dies on 12th of February 1989 in Gmunden, Upper Austria.1952-1957 he studied Music and Acting at the Akademie Mozarteum Salzburg, since 1957 he lived as a freelance author. He has received some of the most prestigious literature prizes and awards, among them the Österreichischer Staatspreis 1967 and the Georg-Büchner-Preis 1970, and is considered as one of the most important german language authors of his century.

Lukas Kummer (Illustrated by)

was born in Innsbruck in 1988. He moved to Kassel in 2007 to study illustration and graphic arts. From 2009 to 2015 he worked as an illustrator and designer for the Mechanical Institute of Kassel University while continuing his studies. He graduated in 2014 and spent the following year with Hendrik Dorgathen as a master student. Lukas Kummer is a freelance illustrator and cartoonist. He has been published in various magazines and fanzines. His first graphic novel “Die Verwerfung” appeared in 2015, followed by “Die Gotteskrieger” in 2017.

Press

Es ist ein Meisterwerk eigenen Rechts, das hier entsteht, und man kann nur bedauern, dass Kummer mit „Ein Kind“ wohl aufhören wird, Bernhard zu zeichnen, weil Residenz dann seinen Rechtevorrat erschöpft hat.
[Quelle: Andreas Platthaus, FAZ]

(...) Lukas Kummer arbeitet sich seit 2015 an Bernhards Werk ab – und hat dafür eine kongeniale, serielle Erzählweise gefunden. In sich minimal variierenden Bildern wird da von Monotonie, Isolation und Entfremdung erzählt.
[Quelle: Karin Cerny, PROFIL]

(...) setzt Kummer nicht darauf, Humanismus mit Lakonie zu verbinden, sondern betont die Leidensgeschichte in ihrer Abgeschiedenheit und scheinbaren Ausweglosigkeit. Nur zwischendurch blitzt ein wenig Boshaftigkeit auf, wenn etwa über große und kleine, geniale und mittelmäßige Künstler und Schriftsteller des Landes sinniert wird - und die Dargestellten Wiedererkennungswert bekommen, prominente Zeitgenossen inklusive. Ansonsten ist die Atmosphäre von Spitalsräumen, Kirchenschiffen und Alpenpanoramen durchaus beängstigend.
[Quelle: APA]

Seine Bilder in Grau, Weiß und Schwarz passen sich dem Rhythmus der Sprache an. Auf den ersten Blick zeigen sie unaufgeregt, was erzählt wird. Auf den zweiten offenbart sich dann das ganze Bernhardsche Drama.
[Quelle: MERKUR]

Zwar sind die im Buch geschilderten Nachkriegszustände extrem. Sie sind aber gleichwohl insoweit aktuell, dass sie eine Klassenmedizin zeigen, in denen nur der Selbstzahler eine ausreichende Menge an Medizin erhält. Zur Gesundung braucht es mehr als ein Krankenhaus, es braucht auch Wohlbefinden, seelische Erbauung und menschliche Wärme. Dies wird mit Händen greifbar durch die erneut sehr gelungene Kombination aus Bernhards Text und Kummers Bildern dieser berührenden Graphic Novel.
[Quelle: Anka Willamowius, BUCH-LADY.DE]

Kummer fängt wie in den vorangegangen Bänden die Essenz des Bernhard-Textes perfekt ein. Das Buch bzw. die ganze Serie kann jedem „Bernhardianer“, aber auch jedem Novizen nur wärmstens ans Herz gelegt werden.
[Quelle: Oliver Herzig, BÜCHER BÜCHER BÜCHER]

Durch die furchtbar genialen Zeichnungen von Lukas Kummer findet man Zugang zum Werk des großen Grantlers.
[Quelle: Ronny Putzke, KULTUREXPRESSO]

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Coverabbildung von 'Der Atem'

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Coverabbildung von 'Autobiographische Schriften in einem Band'

Thomas Bernhard Erwin Wurm (Illustrated by) - Autobiographical Work in one Volume

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Coverabbildung von 'A Child'

Thomas Bernhard - A Child

Thomas Bernhard’s childhood years, the beginning at the end, a martyrdom commences. The shame of being born out of wedlock and the mother’s accusation: You have ruined my life! These were years of fear and war. It was a time far removed from joy, although not entirely without its moments of elation.

Coverabbildung von 'The Cold'

Thomas Bernhard - The Cold

An Isolation

His admission into the lung sanatorium Grafenhof heralded the start of a new chapter in the young Thomas Bernhard’s tale of suffering. In the isolation of the sanatorium he was at the mercy of the doctors, the nursing staff, his fellow patients and above all, himself and his will. In this hopelessness he practised revolt.

Coverabbildung von 'The Breath'

Thomas Bernhard - The Breath

A Decision

Severe pulmonary disease tore Thomas Bernhard away from his daily life before he was even eighteen. His body forced him into the isolation of hospital wards, into the company of the barely alive. His final stop was the bathroom from which only the dead returned. There he suddenly knew that he mustn’t stop breathing, that he wanted to live.

Coverabbildung von 'The Cellar'

Thomas Bernhard - The Cellar

A Withdrawal

One morning, the pupil decides to withdraw from his life. In the cellar, on the fringes of the detested town, in the ghetto of the have-nots and criminals, Thomas Bernhard finds himself an apprenticeship in a grocery store. There he gets to know those who have been cast aside by society, and he gets to understand himself.

Coverabbildung von 'The Cause'

Thomas Bernhard - The Cause

An Intimation

The causes were catastrophic: the boarding school was a prison, the town a terminal disease. There was war and there was his grandfather, who only talked to him about the masters, Mozart, Rembrandt and Beethoven. The causes were destructive, and they left indelible traces in Thomas Bernhard’s life and work.

Coverabbildung von 'The Autobiography'

Thomas Bernhard - The Autobiography

Die Ursache / Der Keller / Der Atem / Die Kälte / Ein Kind

Thomas Bernhard's memoirs of his youth - consisting of five volumes "Die Ursache" (1975), "Der Keller" (1976)," Der Atem" (1978), "Die Kälte" (1981), "Ein Kind" (1982) - contain central motifs of his novels, as well as the origins of the hurts he endured. His childhood, his schooldays as a boarder in Salzburg, his apprenticeship and student days, and his isolation at the age of eighteen in a sanatorium. Anyone wishing to understand Bernhard's world will find the key here. The sister comes in, grabs the washing, and throws it onto a chair beside the bath. Then she lifts my hand. All night she calls at various rooms, lifting people’s hands and feeling their pulses. She starts stripping the bed, the bed in which someone has just died. She throws the covers on the floor and then lifts my hand again, as though waiting for me to die. Then she bends down, gathers up other covers, and goes out with them. Now I want to live. (From: In the Cold) The autobiography is Thomas Bernhard's richest and most mature work. It is one of the great literary documents of our '70s. (Marcel Reich-Ranicki, FAZ)

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Coverabbildung von 'A Year with Thomas Bernhard'

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Das versiegelte Tagebuch 1972

In 1972 the estate agent Karl Ignaz Hennetmair, a friend and neighbour of Thomas Bernhard, decided to keep a diary of the events and conversations involving Bernhard that year, creating a document of incalculable value to Thomas Bernhard fans. His enemies would have found much to enjoy too, as the manuscript sometimes shows the master in a dark light – but where are the Bernhard detractors today? Thomas Bernhard had understandable difficulties with the outside world; initially it took no notice of him, but as his reputation grew it began to beleaguer him, coming too close for comfort. Sometimes it tended to present him – a man interested solely in his literature –simply as stupid. To counteract all that, he had Hennetmair, who found him his property, his houses and woods, negotiating the deals at favourable prices, but also mediated between the writer and the outside world on an everyday level. Hennetmair dealt with everything from broken window frames to mental garbage, acting as dumping ground and recycling facility. He always kept unwanted visitors away from Bernhard, but equally received him into his own family circle. There they chatted, joked and put the world to rights. Later Hennetmair retreated to his study to write it all down in his diary, which we can now satisfy our curiosity by reading.

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Manfred Mittermayer - Thomas Bernhard – A Biography

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