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Thomas Bernhard Erwin Wurm (Issustrated by) - Autobiographical Work in one Volume

In memory of his idol Thomas Bernhard, the internationally renowned artist Erwin Wurm has created a unique special edition. In dedication to the author, Wurm has produced a series of new drawings – affectionate, wry and very personal. "The Cause" and its consequences: in five stories between fact and fiction Thomas Bernhard laid bare how he became the author he was – from his childhood and boarding school days in Salzburg, his apprenticeship and studies, through to his isolation in a lung sanatorium at the age of eighteen. Those who want to understand Thomas Bernhard's world will find the key to it here.

Book details

Einmalige Ausgabe mit Aquarellen von Erwin Wurm
496 pages
format:165 x 240
ISBN: 9783701717149
Release date: 08.01.2019

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Thomas Bernhard

Thomas Bernhard was born on the 9th of February, 1931 in Heerlen, Netherlands, and dies on 12th of February 1989 in Gmunden, Upper Austria.1952-1957 he studied Music and Acting at the Akademie Mozarteum Salzburg, since 1957 he lived as a freelance author. He has received some of the most prestigious literature prizes and awards, among them the Österreichischer Staatspreis 1967 and the Georg-Büchner-Preis 1970, and is considered as one of the most important german language authors of his century.

Erwin Wurm (Issustrated by)

born in 1954, Wurm lives in Vienna and Limberg. He has had numerous shared and solo exhibitions, most recently "Peace & Plenty" (Albertina Wien/Kunstmuseum Luzern 2018), "Performative Skulpturen" (21er Haus 2017), "Bei Mutti" (Museum für Moderne Kunst, Berlin, 2016) and design of the Austrian Pavilion at the Biennale di Venezia 2017. At Residenz Verlag: Watercolours for Thomas Bernhard's autobiographical work (2019).

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Coverabbildung von "A Child"

Thomas Bernhard - A Child

Thomas Bernhard’s childhood years, the beginning at the end, a martyrdom commences. The shame of being born out of wedlock and the mother’s accusation: You have ruined my life! These were years of fear and war. It was a time far removed from joy, although not entirely without its moments of elation.

Coverabbildung von "The Cold"

Thomas Bernhard - The Cold

An Isolation

His admission into the lung sanatorium Grafenhof heralded the start of a new chapter in the young Thomas Bernhard’s tale of suffering. In the isolation of the sanatorium he was at the mercy of the doctors, the nursing staff, his fellow patients and above all, himself and his will. In this hopelessness he practised revolt.

Coverabbildung von "The Breath"

Thomas Bernhard - The Breath

A Decision

Severe pulmonary disease tore Thomas Bernhard away from his daily life before he was even eighteen. His body forced him into the isolation of hospital wards, into the company of the barely alive. His final stop was the bathroom from which only the dead returned. There he suddenly knew that he mustn’t stop breathing, that he wanted to live.

Coverabbildung von "The Cellar"

Thomas Bernhard - The Cellar

A Withdrawal

One morning, the pupil decides to withdraw from his life. In the cellar, on the fringes of the detested town, in the ghetto of the have-nots and criminals, Thomas Bernhard finds himself an apprenticeship in a grocery store. There he gets to know those who have been cast aside by society, and he gets to understand himself.

Coverabbildung von "The Cause"

Thomas Bernhard - The Cause

An Intimation

The causes were catastrophic: the boarding school was a prison, the town a terminal disease. There was war and there was his grandfather, who only talked to him about the masters, Mozart, Rembrandt and Beethoven. The causes were destructive, and they left indelible traces in Thomas Bernhard’s life and work.

Coverabbildung von "The Autobiography"

Thomas Bernhard - The Autobiography

Thomas Bernhard's memoirs of his youth - consisting of five volumes "Die Ursache" (1975), "Der Keller" (1976)," Der Atem" (1978), "Die Kälte" (1981), "Ein Kind" (1982) - contain central motifs of his novels, as well as the origins of the hurts he endured. His childhood, his schooldays as a boarder in Salzburg, his apprenticeship and student days, and his isolation at the age of eighteen in a sanatorium. Anyone wishing to understand Bernhard's world will find the key here. The sister comes in, grabs the washing, and throws it onto a chair beside the bath. Then she lifts my hand. All night she calls at various rooms, lifting people’s hands and feeling their pulses. She starts stripping the bed, the bed in which someone has just died. She throws the covers on the floor and then lifts my hand again, as though waiting for me to die. Then she bends down, gathers up other covers, and goes out with them. Now I want to live. (From: In the Cold) The autobiography is Thomas Bernhard's richest and most mature work. It is one of the great literary documents of our '70s. (Marcel Reich-Ranicki, FAZ)

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Coverabbildung von "A Year with Thomas Bernhard"

Karl Ignaz Hennetmair - A Year with Thomas Bernhard

In 1972 the estate agent Karl Ignaz Hennetmair, a friend and neighbour of Thomas Bernhard, decided to keep a diary of the events and conversations involving Bernhard that year, creating a document of incalculable value to Thomas Bernhard fans. His enemies would have found much to enjoy too, as the manuscript sometimes shows the master in a dark light – but where are the Bernhard detractors today? Thomas Bernhard had understandable difficulties with the outside world; initially it took no notice of him, but as his reputation grew it began to beleaguer him, coming too close for comfort. Sometimes it tended to present him – a man interested solely in his literature –simply as stupid. To counteract all that, he had Hennetmair, who found him his property, his houses and woods, negotiating the deals at favourable prices, but also mediated between the writer and the outside world on an everyday level. Hennetmair dealt with everything from broken window frames to mental garbage, acting as dumping ground and recycling facility. He always kept unwanted visitors away from Bernhard, but equally received him into his own family circle. There they chatted, joked and put the world to rights. Later Hennetmair retreated to his study to write it all down in his diary, which we can now satisfy our curiosity by reading.

Coverabbildung von "Thomas Bernhard:"

Wieland Schmied Erika Schmied (By photographer) - Thomas Bernhard:

His Life and Works in Photographs and Texts

For many decades, and until his death in 1989, Thomas Bernhard was the dominating personality in Austrian contemporary literature. His literature is unthinkable without his environment. It is characteristically Austrian, and belongs firmly in the ranks of world literature. He was available and he was public as none of his colleagues were, while he was also considered to be a loner and unapproachable. Everyone talked about him, and yet he was unknown. Erika and Wieland Schmied are two of the few people privileged to experience Thomas Bernhard in private, as a neighbour and friend. Their image of Thomas Bernhard is built on the memories of innumerable encounters and shared experiences, and is documented with unrivalled completeness in hundreds of photographs. The photos, characterful and unsentimental in equal measure, give an insight into Bernhard's environment, the houses and landscapes in which he lived. However, they also convey an impression of the places he wrote about. In short, the authors have created a comprehensive overview of Thomas Bernhard's cosmos, pervaded throughout by his life and work.

Coverabbildung von "Thomas Bernhard – A Biography"

Manfred Mittermayer - Thomas Bernhard – A Biography

Thomas Bernhard was all that and more, as this comprehensive biography shows. The acknowledged expert Manfred Mittermayer has drawn together Bernhard’s life and work into one great story, reaching from his ‘origin complex’ – his grandfather Johannes Freumbichler’s family – to his premature death following years of illness. Mittermayer creates a nuanced picture of Bernhard’s multi-layered public image and the various phases of his private life, placing his most significant works of prose and theatre in relation to a life story inseparably bound to post-war history. “I cannot deny that I’ve always led two existences: one which comes close to the truth, which I do have the right to describe as reality, and another which I have played out. Over time, the two together have formed the existence which keeps me alive.” Thomas Bernhard, Der Keller (The Cellar – part II of his autobiography)

Coverabbildung von "Die Ursache"

Thomas Bernhard Lukas Kummer (Issustrated by) - The Cause

An Intimation

In the first of his autobiographical books, Thomas Bernhard carries out a root cause analysis that spares nothing and no one. The boarding school was a prison and the town of Salzburg a terminal disease, where destruction was omni-present. The only guiding light was his grandfather, who spoke to him about Mozart, Rembrandt and Beethoven. These “root causes”, which are more than just hinted at by Bernhard, leave indelible traces across all his work. With precise, sparing strokes and a poignant use of repetition and variation, Lukas Kummer has succeeded in creating a visual take on Thomas Bernhard’s recollections of the horrors of boarding school, war and National Socialism. This is a sympathetic graphic novel that approaches the great author with respect and originality.